Cinematography encompasses many different film techniques. From the lighting to lenses to camera movement and more. For aspiring cinematographers, this can be an intimidating art form. Where does one begin? What follows are cinematography techniques that cover all aspects of the job, including resources like video breakdowns, E-books, and links to many articles on cinematography. Let’s get into it.
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Cinematic Techniques
Be prepared
The duties of the cinematographer last from Pre-Production until Post-Production. And you can’t expect to navigate the entire filmmaking process without thorough preparation efficiently.
Before the cameras roll, there is much to decide, organize, and plan. For example, you’ll want to visit shooting locations with the Location Scout, Director, and Assistant Director to discuss everything from lighting schemes to the required camera gear.
Here’s DP Roger Deakins on location scouting tips, and don’t forget to download our location scout cheatsheet to ensure you get everything you need from the process.
Roger Deakins & Location Scouting Tips • Subscribe on YouTube
Then the preparation continues with a shot list and storyboard. Making a shot list includes more technical information like shot specs, special equipment, and the estimated time required for each shot. This is key when creating a shooting schedule. Here’s an example made with StudioBinder’s shot list software.
Deadpool shot list • See the entire list
Making a storyboard, on the other hand, is more about the creative aspects of the shot. The focus here is camera framing, camera angles, blocking and staging. This one of many storyboard examples from Austin Powers in Goldmember we imported into StudioBinder’s storyboard creator.
Austin Powers storyboard • See the entire scene
For a complete guide to scheduling, download our FREE E-Book: A Filmmaker's Guide to Shooting Schedules.
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A Filmmaker's Guide to Shooting Schedules
Keep your project full-steam ahead with a smart and efficient schedule. Download our FREE e-book to learn how to build a shooting schedule that will keep you on time, on budget and on your way to the finish line.
Filming Techniques — Camera
Choose the best camera for the project
Choosing the right camera for the project is the first consideration for a cinematographer. Specifically, should you shoot film vs. digital? Aside from budgetary factors (digital is cheaper), are there any storytelling benefits between them? For example, maybe you want to use film grain to create a nostalgic look.
There are also portability considerations. Would your production benefit from a smaller, lighter camera? Maybe you’re making a Dogme movie or shooting guerrilla-style.
Digital cameras also have pros and cons regarding the camera sensor. Should you go with a full-frame sensor vs APS-C?
Some have a better dynamic range, others might have a color profile that you prefer.
Here’s a fantastic breakdown of the pros and cons from In Depth Cine.
Film vs. Digital Explained • Filming Techniques
From budgetary restrictions to aesthetic preferences, there’s a lot to keep in mind. Find the camera that will satisfy as many of these considerations as possible.
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FILMING TECHNIQUES — lenses
Tell a story with lenses
There are many types of camera lenses, and each brings its own unique characteristics to visual storytelling. Watch this video for an overview of the main types and their qualities.Ultimate Guide to Camera Lenses • Subscribe on YouTube
Perhaps the key characteristic is the focal length of a lens.
On one end of the lens spectrum, there are wide-angle lenses with shorter focal lengths. These have a wider field of view and exaggerate motion. Because they have to “bend” light to capture those wide angles, there is noticeable distortion the closer you get to the subject.
On the other end, there are telephoto lenses with longer focal lengths. These lenses have a smaller field of view and you lose depth in the image but they can capture subjects at a greater distance.
Another important consideration would be whether to shoot with spherical or anamorphic lenses. As we explain in our video, there are a few key characteristics between them, including lens flares, bokeh, distortion, and focus.
Anamorphic vs. Spherical Lenses • Film Techniques Explained
Finally, one more key decision is whether to shoot with prime lenses or zoom lenses. Primes have a fixed focal length and a reputation for being sharper (although this is changing). Zoom lenses, on the other hand, can move between multiple focal lengths.
Download our FREE E-Book: Camera Lenses Explained for a deeper dive into lenses.
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Camera Lenses Explained
Every type of camera lens has distinct qualities and visual characteristics that every image-maker should understand. Download our FREE e-book to get in-depth explanations on prime vs. zoom lenses, anamorphic vs. spherical lenses, wide angle, standard, telephoto and even specialty lenses that all tell a slightly different story.
Exposure & Cinematic Techniques
Embrace the effects of exposure
In short, exposure means how much light is recorded by the camera. When the film stock or sensor receives too much light, it’s called overexposure. If there’s not enough light, it’s underexposure.
The three mechanisms in charge of creating exposure are the aperture, the ISO, and the shutter speed. Otherwise, these are known as the “exposure triangle.” But beyond using these settings to find proper exposure, there are additional cinematography techniques involved.
The aperture is an adjustable opening in a camera lens that controls the amount of light to pass through. And a secondary effect is the amount of depth of field — or the range of focus in front of the camera.
Shallow depth of field is created by a wide aperture, while a narrow aperture creates deep depth of field.
How a DP handles depth of field is a major element in telling a story visually, as we explain in this video.
How to creatively use aperture settings • Filming techniques explained
ISO relates to the “sensitivity” of the capture medium (either celluloid film or a digital sensor). Film stocks are made with different “speeds,” or characteristics of their photochemical emulsions. ISO for digital sensors, on the other hand, is an adjustment of how much the signal (light) reaching the pixels is amplified.
But there are also filming techniques to play with related to ISO. Watch this video to find out more.
Film techniques related to ISO
Shutter speed is how long the film or sensor is exposed to light. In film cameras, this is a mechanical window that opens and closes in fractions of a second. In digital cameras, this is simply how fast the sensor turns on and off.
But what shutter speed also influences is how motion is recorded. Specifically, the amount of motion blur in a shot. Shorter shutter speeds create less and longer speeds create more.
Watch this video for examples, techniques, and how this works.
Shutter speed & motion explained
Exposure settings are about much more than exposure. These three mechanisms provide more visual storytelling opportunities to achieve the desired effect.
For more cinematography techniques, download our FREE E-Book: Exposure — The Ultimate Guide.
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Ultimate Guide to Exposure
The Exposure Triangle is something every photographer and cinematographer needs to master. Download our FREE e-book to get in-depth explanations and tutorials on topics like aperture, ISO, shutter speed, and how to balance these settings to nail perfect exposure every time.
Filming Techniques — Lighting
Master cinematic lighting
Of the elements that constitute the art of cinematography, lighting cannot be understated. Without light, we have no image. Needless to say, there are many cinematic techniques related to lighting, and these are just a few. In this video, we lay out the basics of film lighting, including the qualities of light, cinematography terms you should know, and concepts like practical lighting vs. motivated lighting.
The Ultimate Guide to Cinematic Lighting Pt. 1
For brighter, cheerier stories, high-key lighting is often used. Conversely, a descendant of art styles like chiaroscuro and tenebrism, low-key lighting is a common way to present darker, more dramatic narratives. Different lighting scenarios might call for the harsh shadows created by hard light, or the blended shadows created by soft light.
The cinematography techniques in the following video cover all these topics, including shooting day vs. night and interior vs. exterior scenes.
The Ultimate Guide to Cinematic Lighting Pt. 2
For more film techniques with lighting, download our FREE E-Book: Film Lighting — The Ultimate Guide.
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Film Lighting - Ultimate Guide
The artistry of cinema is grounded in good lighting. Download our FREE e-book to learn the essentials of film lighting, the qualities of light, the major styles and techniques, and tips on how to shoot in any lighting scenario.
Filming Techniques — Color
Play with color
Since color was introduced with processes like Technicolor, it has been a crucial part of cinematography. While highly subjective, there’s no denying that color theory in film is put into practice all the time.
How Stanley Kubrick uses color is different from how David Fincher uses color. But no matter the effect, filmmakers and cinematographers rely on color in presenting their stories.
For example, in this video, we break down the Wes Anderson color palette and how he uses bright and saturated colors to offset his darker subject matter.
How Wes Anderson Uses Color • Film Techniques
There are two ways color is considered when crafting imagery: through the production design (sets, costumes, props, etc.) and through the lighting (color temperature). And no matter where color appears in your project, it provides a massive amount of storytelling material.
An early decision to make when using color is to decide on which color scheme will best help tell the story. If the script would benefit from bold, primary colors, you might consider a triadic color scheme. Or, if the mood you’re aiming for is more solemn and dramatic, something like a monochromatic color scheme might work best.
Here’s a mood board featuring a complementary color scheme that we created using StudioBinder’s mood board software. Click the image the explore the entire collection and inspire your next project.
Complementary Colors Mood Board • See the entire collection
For more film techniques using color, download our FREE E-Book: How to Use Color in Film.
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How to Use Color in Film
Hue, saturation, brightness — the three elements of color that make all the difference. In this book, we'll explain the aesthetic qualities and psychology effects of using color in your images. Topics include color schemes like analogous and triadic colors and how color palettes can tell stories of their own.
Composition Cinematic Techniques
Bend the rules of composition
Composition is how all the elements are arranged in an image. There are many “rules of composition,” like the Rule of Thirds, positive and negative space, and the Golden Ratio. But you shouldn’t feel obligated to always obey them. Here’s a breakdown of the most common and effective cinematography techniques in composition.
The Ultimate Guide to Composition
You can use symmetrical balance like Wes Anderson to create formal precision. Or you can use leading lines to guide the viewer’s eyes exactly where you want them to go. In this video, Deakins discusses his approach to composition in films like 1917, Kundun, and Jarhead.
Roger Deakins on Composition • Film Techniques
For more composition techniques and how to bend them, download our FREE E-Book: The Elements of Composition.
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The Complete Guide to Composition Elements
When you master composition, you master the ability to tell a story, create a mood or deliver a message in a single image. Download our FREE e-book that covers the various elements of composition and the relevant techniques you can use to arrange, and compose the perfect image.
Cinematography Technique — Size
Select your shot size
Related to composition, the shot size has a big impact on how a particular image or moment is to be understood. The great Charlie Chaplin once said, “Life is a tragedy when seen in close-up, but a comedy in long shot.” In this video, we cover all the major shot sizes along with their storytelling benefits.
The Ultimate Guide to Shot Size
Of course, there’s no such thing as the “correct” shot size for a given moment, and there is plenty of creative opportunity in experimentation. For example, you can use a cowboy shot outside the Spaghetti Western subgenre to evoke a similar feeling.
We did a deep dive into all the ways to use a close-up. You’ll see the countless variations and how they tell a story of their own.
Cinematographic Techniques & Close-ups
Here’s a storyboard with all examples of the shot sizes. Click the image to explore the entire collection, and download a PDF for reference.
Shot Sizes Explained • See the collection
Check out our Ultimate Guide to Camera Shots with over 50+ shots, angles, and movements for further inspiration.
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Framing Cinematic Techniques
Determine the framing
Camera framing is all about creating relationships between characters. For example, having two characters in the same frame (a two-shot) focuses our attention on their relationship, which can be anything from romantic to antagonistic. A group shot can create a sense of unity, while a single shot isolates a specific character.
Watch this video for a full explanation with examples.
Ultimate Guide to Framing & Cinematographic Techniques
Framing is also a way to create a connection between the audience and the characters. An over-the-shoulder shot (OTS) is a common way to cover conversation scenes that makes us feel we’re included without breaking the fourth wall. An insert shot allows us to see what a character is looking at. And a step beyond that is the point of view shot (POV) in which the camera’s field of view belongs to a character — so we can see through their eyes. Learn the many applications of the POV shot in the following video.
Film Techniques • Art of the POV Shot
Up next, we’ll cover how camera angles influence visual storytelling.
Cinema Techniques — Angle
Find the right camera angle
Both the shot size and camera framing is augmented by the various camera angles. For example, depending on the context, a Dutch angle can elevate panic or a compromised mental state. A low angle is often shorthand for a confident, powerful character. Conversely, a high angle literally looks down on a weak or vulnerable character. Explore all these angles and more in the following breakdown.
Ultimate Guide to Angles • Cinematic Techniques Examples
Overhead shots are also called “god’s-eye-view” shots because they assume a heightened and almost “divine” perspective. And there is a subtle difference between placing the camera parallel with the eyes or the shoulder. A shoulder-level shot tends to feel more natural but an eye-level shot can create a stronger connection between the audience and the character.
Cinematographic Techniques
Move the camera purposefully
Moving the camera may be visually exciting, but it should always be done with a purpose that serves the scene. One false move and the fragile suspension of disbelief can be shattered. For a full breakdown of all the main types of camera movement, check out this video.
Cinema Techniques & Camera Movement
Tracking shots keep us in lockstep with a character. An arc shot is ideal when you want them to feel trapped or surrounded. Pan shots are a great way to reveal landscapes, and tilt shots work well to emphasize the height of a character, building, etc. The dolly zoom is a specialty shot that signals a major emotional shift, as explained in this video guide.
Film Techniques • Art of the Dolly Zoom
Of course, shooting with a static camera that doesn’t move at all is always possible. To move or not to move, that is the question.
In Conclusion
Cinematography techniques wrap-up
We’ve covered a lot in this article, but there really are a lot more film techniques to learn. Watch the rest of the videos in our Shot List series, including episodes on frames rate, camera focus, and camera gear. And you should also check out our Cinematography Techniques playlist with breakdowns of some of the best cinematographers, including Rodrigo Prieto, Hoyte van Hoytema, Darius Khondji, Robert Richardson, and more.
Learning cinematography techniques is a life-long venture. Hopefully, we could help move down that path just a little bit.
Up Next
What does a cinematographer do?
In this article, we really just skimmed the surface of cinematic techniques examples and all the things a cinematographer does in a film. Let’s get into more specifics of their day-to-day responsibilities and creative decisions.
Up Next: Cinematographer Duties →
Showcase your vision with elegant shot lists and storyboards.
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It was interesting to learn more about the light meter and how it can lighten the scene naturally. My wife and I are into recording our family on holidays, and I would say that the thing that gives us the most trouble is lighting. With a light meter, however, you could really make sure that your shooting turns out the way you want it to be. I would love to find out how this works because I want to start recording more things like movies or documentaries as well. Thanks again for the information!
super blog and very useful content
This is amazing!
This is a very useful blog especially for aspiring cinematographers. Thanks for sharing this!
Thanks for the insights about cinematography and on how it works. Your blog is very useful.
I agree, never say fix it in post.
Grrr, I’ve a blog on my website and it sucks.
I actually
removed it, but may need to bring it back. You gave me inspiration!
Keep on writing!
Always Think outside of the box is my favorite among all of the techniques.
I’ll take note of these very amazing tips! Thanks for this, once again.
Hi, i want to commend this post for being informative, clear, and concise. Also, i just want to know why I can’t download the pdf file.
It is really wonderful learning for me because I am a associate cinematographer .I say the best technic mention in your website. Very Thank for your website to learn a lot about cinematography.
Please give me a lighting techniques / theory PDF Ebooks
Hi,
Thank you for this insightful article on Cinematography. It is extremely wondrous learning on behalf of me as a result of I’m an associate cinematographer.I say the simplest technic mention in your web site. Terribly give thanks for your web site to find out loads regarding filming.
I also recommend readers to visit my site as well.
Sir how to become a pro camera handling
Studiobinder is the absolute best! love how simple and easy it is to follow. it has turned me into a better film maker. I also used a DLSR Guide to further help me and their program works amazing, everyone should check it out.
This is Great, y’all need to write a book.
Yeah, they show you that and more in film school: way more. The thing is to go to a good one. You can´t learn fillmmaking in internet, i am afraid.
It’s a great source of knowledge; I think it will be helpful for lot of people who are looking for learning more about the cinematography techniques no film school. Thank you very much for sharing this article was really looking forward for something like this.
Ths is so wonderful I learned a lot of things here, I wish to have some more lessons
And atm, with the pandemic, the whole process of filming is a lot more hectic and complicated. I hope the cinema industry never wanes, it's such an important art form.
Thank for this. It's really help a lot <3
Studiobinder is the best learning academy ever made for filmmakers
Awesome! This is probably my favorite chapter; so much to learn!
But, in the "Film Lighting" guide there is a typo; at page 31, the big and bold "Quantity" should be "Quality."
Besides that, it's always a pleasure reading and watching explanatory videos!
Thank you!
You guys saved my life
You are amazing guys
I am a newbie in animation.
Can you make e book about animation like you made for Film
Sorry my English is not good 😅 i hope you understand.
Your channel is better than college/University
And thank you very very very much 😊
You guys are amazing
Amazing amount of learning. Thanks from a novice who was feeling lost, and now not so lost.